传记
保罗D. 格林持有A.B. 从哈佛大学音乐系毕业 优等生，以及博士学位。.D. in Anthropology from the University of 宾西法尼亚. He is an ethnomusicologist of musical cultures of South and Southeast Asia. He is author of over thirty articles and book chapters on musical revitalization, 音乐和科技, 音乐与佛教, 以及其他话题, 两本书的合著者, and guest editor of three special issues of scholarly journals.
He has written articles on several under-documented music traditions, including Tamil oppā国际扶轮 weeping songs, Himalayan neku ritual music, Nepali heavy metal, and Karnatak saxophone music. 他编辑的书， 有线音响: Engineering and Technologies in Sonic Cultures (ed. with Thomas Porcello) won the Society for 人种音乐学’s 2005 克劳斯P. Wachsmann Prize for Advanced and Critical Essays in Organology. Dr. 格林 is also a former chair of the 流行音乐 Section of the Society for 人种音乐学 (PMSSEM), former Recording Review Editor of the journal 人种音乐学, and former Review Editor of the journal 人种音乐学在线.
Dr. 格林教授世界音乐课程, 文化人类学, 和平与冲突研究, 南亚音乐, 流行音乐研究, 爵士乐的演变, 以及全球和国际研究. He delivers courses both on campus and through the Web, and takes students on education abroad programs (Global Programs) that he arranges. His courses have included immersion educational experiences in Paris, 不错的, 塞维利亚, 摩纳哥, 巴塞罗那, 罗马, 那不勒斯, 布拉格, 维也纳, 柏林, 伦敦, 利物浦, 都柏林, 高威, 希腊, 古巴, 和摩洛哥, and he also brings students on tours of the United Nations Building and National September 11 Memorial and Museum in New York City. 2005年，他获得了全校奖 乔治•布什(George W. Atherton Award for Excellence in Teaching.
他目前是…的协调员和主席 宾州州立大学白兰地全球项目和协调员，与保罗J. 德加特诺说 和平与冲突研究项目.
Dr. 格林 listens to virtually every kind of music, and he is a violinist and a keyboardist. His hobbies include hiking, playing left wing in soccer, and playing keyboards in a rock band.
出版物
SELECTED ARTICLES, EDITED JOURNAL ISSUES, AND BOOKS ORGANIZED BY TOPIC
Music Revitalization and Peacebuilding in Cambodia
“Forgotten Songs Returned to Living Musical Culture: A Success Story in Cambodian Musical Revival,和Va Bophary一起. 在进行中.
尼泊尔的音乐与人权
"Intense Emotions and Human Rights in Nepal's Heavy Metal Scene." 2011. In 流行音乐 and Human Rights: World Music, ed. 伊恩Peddie.
Buddhist Music and Chant in Nepal and Myanmar
“Music and Civic Rivalry in the Buddhist Communitas."正在审查中".
“Contemporary Buddhist Chanting and Music.” 2016. In 牛津当代佛教手册, ed. 迈克尔Jerryson. 牛津大学出版社.
Mindfulness and Change in Buddhist Musical Traditions. 2004. 特别发行的 亚洲音乐， 35(2)，特邀编辑李伟.
“Introduction: Mindfulness and Change in Buddhist Musical Traditions,” with Li Wei. 亚洲音乐 35(2).
“Buddhism and the Musical Cultures of Asia: An Annotated Discography,Keith Howard, 特里E. 史蒂文·G·米勒. 纳尔逊，Phong T. Nguyen和Hwee-San Tan. 亚洲音乐 35(2).
“The Dhamma as Sonic Praxis: Paritta Chant in Burmese Theravāda Buddhism.” 亚洲音乐 35(2).
“Ordering a Sacred Terrain: Melodic Pathways of Himalayan Flute Pilgrimage.” 2003. 人种音乐学 47(2).
Body and Ritual in Buddhist Musical Cultures. 2002. 特别发行的 音乐的世界， 44(2)，客座编辑:保罗D. 格林.
“Preface: Body and Ritual in Buddhist Musical Cultures.” 音乐的世界 44(2).
“Buddhism and the Musical Cultures of Asia: A Critical Literature Survey,Keith Howard, 特里E. Miller, Phong T. Nguyen和Hwee-San Tan. 音乐的世界 44(2).
“Sounding the Body in Buddhist Nepal: Neku Horns, 喜马拉雅萨满教, and the Transmigration of the Disembodied Spirit.” 音乐的世界 44(2).
声音文化中的音乐和技术
“Bollywood in the Era of Filmsong Avatars: DJing, Remixing and Change in the Film Music Industry of North India.” 2014. In More Than Bollywood: Studies in Indian 流行音乐, eds. 格雷格·布斯和布拉德利·肖普.
金属统治全球: Heavy Metal around the World, eds. Jeremy Wallach, Harris M. 伯杰和保罗·D. 格林. 2011. 381页. 杜克大学出版社.
简介:情感过度驱动, 现场动态, 和全球金属场景中的身份,Jeremy Wallach和Harris M. 伯杰. In 金属统治全球.
“Electronic and Affective Overdrive: Tropes of Transgression in Nepal’s Heavy Metal Scene.” In 金属统治全球.
"Musical 媒体 and Cosmopolitanisms in Nepal’s 流行音乐, 1950-2006." 2010. In South Asian 媒体 Cultures: Audiences, Representations, Contexts, ed. Shakuntala Banaji.
“世界音乐.” 2008. 在 International Encyclopedia of the Social Sciences，第二版. Macmillan Reference USA and Gale Virtual Reference Library.
“Echoes in the Valleys: A Social History of Nepali Pop in Nepal’s Urban Youth Culture, 1985-2000,和Yubakar Raj Rajkarnikar一起. 2006. 回声:以音乐为中心的期刊7(1). 也发表于 波, Nepal’s popular culture magazine, cover story of the March, 2001 issue.
有线音响: Engineering and Technologies in Sonic Cultures, eds. 保罗D. 格林和托马斯·波切罗. 2005. 288页. 卫斯理大学出版社.
“Introduction: Wired Sound and Sonic Cultures.” In 有线音响.
“Nepal’s Lok Pop Music: Representations of the Folk, Tropes of Memory, and Studio Technologies.” 2003. 亚洲音乐 34(1).
“Mixed Messages: Unsettled Cosmopolitanisms in Nepali Pop.” 2001. 流行音乐 20(2).
“Handheld Computers as Tools for Writing and Managing Field Data.” 场的方法 13(2).
[印度]电影音乐:南部地区.” 2000. 世界音乐百科全书,卷. 5.
“At the Crossroads of Languages, Musics, and Emotions in Kathmandu.” 2000. 流行音乐与社会 24(3)，与大卫·亨德森.
Folk Music, Revival, and Audio Cassettes in South India
斯里兰卡的妇女和音乐. 2005. 特别发行的 音乐的世界, 46(3), guest-edited with Martina Claus-Bachmann.
“Authoring the Folk: The Crafting of a Rural 流行音乐 in South India.” 2001. 跨文化研究杂志 22(2).
“Kadri Gopalnath:萨克斯 Chakravathy (Emperor of the Saxophone) in the Concert Tradition of South Indian Classical Music.” 2001. 萨克斯管研讨会 26.
“Professional Weeping: Music, Affect, and Hierarchy in a South Indian Folk Performance Art.” 1999. 民族音乐学在线. 更新并重新发布于 印度民俗研究杂志 1(2).
“Sound Engineering in a Tamil Village: Playing Audio Cassettes as Devotional Performance.” 1999. 人种音乐学 43(3).